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The Artist Magazine February 2014 Edición anterior

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230 Reseñas   •  English   •   Art & Photography (Art)
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Welcome to a bumper edition which includes our free 24-page 2014 Art Courses and Holidays supplement. There's no better way to kick-start your creativity than by taking part in a carefully selected course with like-minded artists, or indeed than by allowing our fantastic artist-contributors to inspire and guide you in this issue! Whether you wish to learn more about painting shadows in watercolour, landscape acrylic painting techniques, how to approach a larger-than-life portrait in oils, make great use of coloured grounds for effective winter scenes, or how to decide what to leave in and out of foregrounds for better compositions, artists Paul Weaver, Carole Baker, Tim Benson, Paul Talbot-Greaves and Winston Oh offer invaluable advice. We also have in-depth interviews with Tanya Lock about her wildlife paintings and charcoal master Roy Wright about his detailed drawings of trees, a test report on the new Strathmore 500 series watercolour paper and competition, tips on working in series, how to measure accurately, how to make a simple collograph, and advice on creating more interest in your work by abstracting from the subject matter. Plus we provide some answers to the all-important question about how to price your work. And don't forget to submit your work to our free competition to find the winning image to be published on our 1,000th front cover, to get your work seen by a huge worldwide audience!
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The Artist

February 2014 Welcome to a bumper edition which includes our free 24-page 2014 Art Courses and Holidays supplement. There's no better way to kick-start your creativity than by taking part in a carefully selected course with like-minded artists, or indeed than by allowing our fantastic artist-contributors to inspire and guide you in this issue! Whether you wish to learn more about painting shadows in watercolour, landscape acrylic painting techniques, how to approach a larger-than-life portrait in oils, make great use of coloured grounds for effective winter scenes, or how to decide what to leave in and out of foregrounds for better compositions, artists Paul Weaver, Carole Baker, Tim Benson, Paul Talbot-Greaves and Winston Oh offer invaluable advice. We also have in-depth interviews with Tanya Lock about her wildlife paintings and charcoal master Roy Wright about his detailed drawings of trees, a test report on the new Strathmore 500 series watercolour paper and competition, tips on working in series, how to measure accurately, how to make a simple collograph, and advice on creating more interest in your work by abstracting from the subject matter. Plus we provide some answers to the all-important question about how to price your work. And don't forget to submit your work to our free competition to find the winning image to be published on our 1,000th front cover, to get your work seen by a huge worldwide audience!


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The Artist issue February  2014

The Artist  |  February 2014  


Welcome to a bumper edition which includes our free 24-page 2014 Art Courses and Holidays supplement. There's no better way to kick-start your creativity than by taking part in a carefully selected course with like-minded artists, or indeed than by allowing our fantastic artist-contributors to inspire and guide you in this issue! Whether you wish to learn more about painting shadows in watercolour, landscape acrylic painting techniques, how to approach a larger-than-life portrait in oils, make great use of coloured grounds for effective winter scenes, or how to decide what to leave in and out of foregrounds for better compositions, artists Paul Weaver, Carole Baker, Tim Benson, Paul Talbot-Greaves and Winston Oh offer invaluable advice. We also have in-depth interviews with Tanya Lock about her wildlife paintings and charcoal master Roy Wright about his detailed drawings of trees, a test report on the new Strathmore 500 series watercolour paper and competition, tips on working in series, how to measure accurately, how to make a simple collograph, and advice on creating more interest in your work by abstracting from the subject matter. Plus we provide some answers to the all-important question about how to price your work. And don't forget to submit your work to our free competition to find the winning image to be published on our 1,000th front cover, to get your work seen by a huge worldwide audience!
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The UK’s best practical art magazine for aspiring amateur and professional artists - since 1931. Well-known artists reveal their working practices and techniques, covering all subjects and media, in every issue. Learn how established and up-and-coming artists create their work and use the tips they provide to help you improve your own drawing and painting. Keep up to date with the latest art materials, tried and tested by our trusted panel of expert artists, and keep in touch with the latest art competitions to enter and must-see exhibitions. Learn how other artists make money from their work, join one of our practical workshops/holidays, and don’t miss out on the latest art news and views.

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The Artist

I would like to see more articles about acrylics
Revisado 10 junio 2022

The Artist

Delighted to see The Artist magazine now with a new digital receptive audience with Pocketmags. Yet more artists will be able to hear about the inspirational articles I contribute to. All progressive, all intuitive and all inclusive. Excellent idea and forward thinking! Revisado 04 enero 2021

The Artist

I enjoy the range of subjects. The magazine always gives me ideas for my own paintings. I also like that it keeps me up to date with new products and I particularly like the book reviews. Revisado 26 agosto 2020

The Artist

varied content , Revisado 14 julio 2020

The Artist

For me there is to much of a focus on watercolour painting; I would like mor3 material on oil painting Revisado 11 julio 2020

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